EXT. IOREK AVENUE. DAY.
It's a beautiful day in Dinas City. The sun is shining, everyone's out for a nice walk in the park.
High above the trees and the road, sitting along a telephone wire are a flock of PIGEONS.
CHIPS
... AND, as I have been saying all along, the only way to outwit a cat is by full-scale attack. Shock and awe tactics. It's the only way.
BIN BAG
It's a travesty that it's come to this though. Stealing food from cats?! It's absurd. I've never a seen a city this clean before. My Aunt Chip Fat from down Pentref way gets fed. By a lady in the park, no less.
BAPS
I remember the days when we'd flock down to the statue around midday and get fed. There's nothing like the taste of stale bread. Now we've got to make do with loitering around the back of PaddyBurger. And everyone knows I don't like leprechauns.
Baps shudders.
BIN BAG
There, there.
CHIPS
It's all this new Mayor's fault. Blinking 'Clean Up Dinas', my tail feathers!
Baps starts to laugh uncontrollably.
CHIPS
Are you okay?
Baps stops laughing enough to stammer...
BAPS
We'll have to stage a Coo!
Baps begins laughing so much that she chokes and falls off the wire, plummetting in a frenzy of feathers.
SHIFT (O/S)
Wow, that's an awful pun. You should meet my friend Lyric.
SHIFT, in pigeon form, lands delicately on the wire and settles down next to the others.
BIN BAG
Hey. How's tricks?
SHIFT
Not too bad. I've just spent the last half hour wrestling a stray dog for a Caesar Salad though.
CHIPS
Nasty.
SHIFT
In the end it got confiscated by a Clean Up Patroller.
BIN BAG
Sounds familiar.
SHIFT
I'm starving now.
CHIPS
Arg. We should go and attack some cats.
SHIFT
Pardon?
BIN BAG
It's nothing. We've been discussing the merrits of guerilla food-runs.
SHIFT
Oh.
Baps flutters back onto the wire.
BAPS
Did someone say Gorrillas?
SHIFT
'Guerrilla'.
BAPS
Are they like Spanish Gorrillas or something?
SHIFT
Wow. You're on fire.
BAPS
Shit! Where?
BIN BAGS
Gorrillas... hmmm.
SHIFT
Feeder line much?
BIN BAGS
What? Sorry. Miles away. The Gorrillas get fed around about htis time of day, don't they?
SHIFT
What Gorrillas?
CHIPS
The one's in the park zoo.
SHIFT
Hang on. You aren't suggesting we try and steal food from Gorrillas, are you?
BIN BAGS
Needs must, I'm afraid. Look. I'm not saying it's a good idea, necessarily.
BAPS
I don't like bananas though.
SHIFT
They don't just eat bananas.
CHIPS
But unless they eat stale bread, Baps isn't really going to be interested.
BAPS
Hey, we could drop by and see Un-Panda while we're there. He's always game for a laugh!
SHIFT
Sorry, Un-Panda?
BAPS
He's this guy we know. Looks like a Panda, lives like a Panda but chategorically isn't a Panda.
SHIFT
How do you know that?
BAPS
Says his real name's Gary.
EXT. PARK ZOO - DUCK SANCTUARY. LATER.
A flock of pigeons flutters overhead.
Below, FINESSE, is walking through the network of ponds and streams. Around her, to-ing and fro-ing are buggerloads of DUCKS.
In the centre of the maze of Ducks is a shed. She walks over and taps on the door.
INT. DUCK SANTUARY SHED. NEXT.
Finesse opens the door gently to reveal a staircase.
CHRONAL (O/S)
Come on down!
INT. CHRONAL'S SECRET LAIR. NEXT.
Finesse descends the stairs. At the bottom the space opens out to reveal a CAVERN filled with scientific equipment, curios and gadgets. On the walls are pictures of ducks.
FINESSE
How did you know it was me?
CHRONAL
You have a very distinctive knock.
Chronal is sitting at a workbench fiddling with something elaborate and sciency-looking. Leaning against the wall in the corner of the room is a stout, wooden DOOR.
CHRONAL
You also have very distinctive knocke-
FINESSE
Utter another word and I'll trap you in a time loop.
Chronal smiles and pulls off his sciency goggles.
CHRONAL
Time to rejoin the real world yet?
FINESSE
Not necessarily. I just wanted to remind you about the opening of the Hydro-Wave tomorrow.
CHRONAL
How's the speech coming along?
FINESSE
Not too bad. Can't say I'm the biggest fan of bombastic rhetoric, but it's necessary. We have to send a clear message.
CHRONAL
True.
FINESSE
I've got a copy if you have time to glance over it.
CHRONAL
I've always got time. Especially for you.
FINESSE
Correct answer.
Finesse gives Chronal the SPEECH and he blinks.
He hands it back.
CHRONAL
Nice. Very sincere. I like the bit about responsibility. Sounds appropriate. Works on levels, you know.
FINESSE
Yes, I like that bit too.
Chronal leans across the table and lifts up a long PARCEL.
CHRONAL
Could you give this to Lyric, if you see him?
FINESSE
Aha! This would be the new sword?
CHRONAL
Re-forged, in a manner of speaking, by yours truly. I've added some special features. After that run-in with Eraser I thought he could do with something a little more permanent.
Chronal wiggles his fingers.
CHRONAL
Sometimes I think these hands have a mind of their own. Since they were grown back I've had so many ideas.
FINESSE
It's an age-old pattern. Man loses hands, man has hands grown back, man builds fortress of solitude, man builds secret things.
CHRONAL
(grins)
They won't be secret for much longer.
FINESSE
Good. Because the suspense is killing me.
EXT. PARK. DAY.
AMITY is sitting on a picnic blanket, surrounded by a group of people. All are munching on pita bread and hummus. Oh, and there are flasks of tea.
AMITY
(to the group)
I think we'll wrap up for this week. Thank you all for coming. It's been lovely talking to you.
The group leaves, talking softly to one another.
Amity starts to pack up the picnic.
A shadow passes over her and she looks up.
DAVE
Hello. Hope I'm not invading your personal space.
AMITY
No, you're fine.
She stands up. Dave is mid-twenties, tall and slightly blank-looking. He's wringing his hands.
AMITY
Is there anything I can help you with?
DAVE
I'm not sure.
AMITY
Strange, I can't read you.
DAVE
That may be the autism.
AMITY
Possibly.
(beat)
I didn't see you ealier. In the group.
DAVE
I was watching, from over there. People find me unnerving.
AMITY
Oh. You should have joined us. We're all here to help each other.
DAVE
As I understand it, you are here to help us.
AMITY
Yes, well. It's a bit more complicated than that.
DAVE
I was told it had something to do with ego.
AMITY
(bristling)
Yes, well. Was there anything specific you wanted help with?
DAVE
The emotions. How do you cope, when you're overwhelmed?
AMITY
Experience, I suppose. Sometimes it's euphoric, sometimes it's terrifying.
DAVE
How do you put it all to one side? How do you move on?
AMITY
Now you're invading my personal space.
Dave takes a step back.
DAVE
I apologise.
AMITY
Look. It seems to me you're trying to wrap your mind around something abstract. Emotions are an intimate experience.
DAVE
Intimacy...
He looks at her intently.
AMITY
Look. It sounds you need some specific help. These sessions were only ever meant to be general.
DAVE
Oh.
Amity, feeling uncomfortable.
AMITY
Maybe I can put you in contact with a colleague -
DAVE
Like I said. Unnerving.
INT. 'THE CENTRE FOR LIMINAL ABODE' - DOWNTOWN. LATER.
Wraith is standing in line with a ladle. Around him, helping him serve food, are HARE-KRISHNAS.
One of the Hare Krishnas appears behind him and speaks softly in his ear.
HARRY
Now. Any more questions?
WRAITH
I think I get it. Homeless people come in and we serve them food. Job done. Phone soon.
HARRY
Yes, well. No need to be sarcastic.
WRAITH
Soz.
HARRY the Hare Krishna walks off looking a bit grumpy.
The homeless people start to stream in through the doors, moving listlessly towards the food counter.
Wraith starts slopping creamed potatoes onto trays as the homeless people pass.
One man, dressed in a long brown coat and a bowler hat stops.
ZIMBARDO
They told me you'd be here.
WRAITH
And you are?
Zimbardo pulls out a photo and waves it in front of him.
ZIMBARDO
Have you seen this Cape?
WRAITH
What's a Cape?
ZIMBARDO
A hero. Super-powered, traditionally.
WRAITH
No.
ZIMBARDO
Oh.
(beat)
You sure?
WRAITH
Don't know him.
ZIMBARDO
It's a woman. In drag.
WRAITH
Oh.
ZIMBARDO
She often gets confused as a man.
WRAITH
Sounds familiar.
(beat)
Look. Start making sense or I'm going to coat you in potato mush.
ZIMBARDO
Her name's Marionnette, she was murdered in Prif a week ago.
WRAITH
And this has something to do with me... why?
ZIMBARDO
I'm investigating her murder. I thought I'd question all the Capes first.
WRAITH
For the record, I'm not a 'Cape'. Do you see a cape anywhere? Only Goloids wear capes.
ZIMBARDO
I'll be in touch.
Zimbardo stalks off mysteriously.
The next tramp holds up his tray.
The tramp is a floppy-haired emo type with skinny-fit jeans and a scruffy t-shirt. He doesn't look very homeless.
NEMESIS-KUN
'Sup OP?
WRAITH
Pardon?
NEMESIS-KUN
You are Wraith, yes? THE Wraith? LOLZ this is so sweet.
WRAITH
Sweet Christ it's like a fairground in here.
(beat)
You aren't from the Chans are you?
NEMESIS-KUN
Yeah OP! I'm Nemesis-Kun. The infamous.
WRAITH
Hang about, you're that camwhore who was dissing me!
NEMESIS-KUN
Yeah guy! I'm your number one fan.
WRAITH
Hang on. You're my fan? But you were perma-banned. I'm talking b. a. n. d. banned! That counts in real too, you know!
NEMESIS-KUN
Tracked you down man. I needed to meet you in person.
WRAITH
I'm glad you did. Because now I'm going to break your legs.
NEMESIS-KUN
You're so funny. I love it when you say aggro shit like that. You sound just like my Mom.
Wraith screams.
Then he hurls potato mush in Nemesis-Kun's face.
EXT. ROOFTOPS. NIGHT.
Lyric is sitting on a rooftop ledge overlooking the city. In his lap is an open copy of Grey's Anatomy.
Under his breath he's reading out lists of ligaments and tendons.
Below, a BIKE pulls into an alley.
Lyric looks down. It's Finesse.
He closes the book and jumps off the ledge.
When he's a foot a away from the ground he shouts -
LYRIC
Stop!
There's a sonic-boom like noise and a cloud of dirt.
FINESSE
Swish.
LYRIC
Yeah, well. At least it didn't break my legs.
FINESSE
I'd never have thought 'stop' would work.
LYRIC
Gets the job done. It's often the simplest words that are the most effective. Precision and conscise-ness-iosity are key.
FINESSE
Right.
She pulls something off the back of the bike.
FINESSE
Chronal wanted to give you this.
LYRIC
I take it he's still doing the 'evil genius' thing.
FINESSE
Yes. Much like you're doing the 'broody rooftop prowler' thing.
LYRIC
Touché.
Finesse tears the brown paper off the sword and hands it to him.
FINESSE
Chronal said he'd tweaked it.
LYRIC
Yup. He's put a timey-wimey hex on it. It exists a micro-second out of synch with the rest of the universe. Means Eraser can't erase it.
FINESSE
Wow. Woolly technobabble aside, how are you?
LYRIC
Better. Working on my biology. I wan't to be able to use my powers to heal.
FINESSE
Makes sense. Remember. My party is tomorrow?
LYRIC
The hydra-thingy?
FINESSE
Yes. The hydra-thingy. You're either there or you're on borrowed time.
LYRIC
Loud and clear.
FINESSE
In other news, why's the sword glowing?
LYRIC
New feature number two: glows when goons are nearby. Oh, and her name's Ystrydebol.
FINESSE
Give me mercy.
At this point, GOONS appear from nowhere, dressed in Ninja outfits and wielding clubs.
The Goons try their hardest but they aren't much of a match for Finesse and Lyric.
When the brief encounter is over Finesse leans over one of the guards.
LYRIC
Professionals?
FINESSE
Not a shred of evidence to connect them with anyone.
LYRIC
Odd. Normally they're all ordered from Goons dot com, aren't they?
FINESSE
Indeed. Though nowadays everything's so clean I expect the Mayor has clamped down on goons for hire based shenanigans.
LYRIC
Still feeling iffy about endorsing one of Sedge's little projects.
FINESSE
I don't like her. I'll be honest. But I like the Hydro-Wave.
Finesse looks uncomfortable.
FINESSE
I'm going back to the Pit. Keep your eyes peeled.
She walks over to the bike.
LYRIC
How do you like the Trans-bike?
FINESSE
It's no Trans-jet, but it'll do. To be honest, it's a bit side-kicky. On the subject of which - got yourself a boy-bitch yet?
LYRIC
No such luck.
EXT. HYDRO-WAVE. DAY.
The Scribblers are lined up on the enormous HYDRO-WAVE barrier. A tidal power generator in the bay around Dinas. It's huge.
Finesse is standing at the podium next to SAMANTHA SEDGE, the new Mayor of Dinas.
SEDGE
Today sees a significant step forward in our city's development. This Hydro-Wave is a technological and environmental tour-de-force. The power it will generate will be more than enough to power the city, so much so that we'll be one step closer to becoming truly self-sufficient. We don't need outsiders to protect our interests. We are fully capable of being responsible for ourselves.
(beat)
Now, I would like to introduce Finesse, of the Scribblers.
There's a ripple of applause.
Finesse steps up to the podium.
FINESSE
This technology is a landmark. Investment in environmentally friendly technology is an investment in our future. Responsibility is a bit of a super-hero buzzword, but in reality it applies to everyone.
INT. YSTRAD DAM - SECURITY ROOM. LATER.
A tv in the corner is showing highlights of the speeches - Finesse is still mid-flow.
FINESSE (V/O)
... We have a responsibility to protect each other and a responsibility to preserve what we value. Super-heroes protect the people from harm, from super-villains, from super threats. But we can all protect each other by investing in this kind of technology.
GUARD 1
Turn that crap off.
The tv goes blank.
GUARD 2
Hey! I was watching that! That Finesse, she's a real hotty!
GUARD 1
You think? I prefer the one who turns into animals.
GUARD 3
You would. Pervert.
Mid bawdy conversation the doors of the security room burst open and a man in a supervillain costume strides in. It's a black one piece which hides his face.
PATHOS
Good evening gentlemen.
He holds out his arms and the room goes cold. The Guards look as if they're having their souls sucked out.
The guards gasp and then their faces go blank. Pathos's costume changes colour, shifting from black to blue.
Pathos shudders with energy.
PATHOS
Wondrous naughty, gentlemen. Which way is the dam control room?
The guards point, blank-faced at the next door.
PATHOS
Thank you.
EXT. DAM WALL. LATER.
Standing on the edge of the dam is a woman in a purple supervillain costume. In her hand is a vial of, what we can comfortably assume is, poison.
FOXGLOVE
Is it done?
PATHOS
Yes, mistress.
FOXGLOVE
Excellent.
She tips the poison into the water of the dam.
Overhead, stormclouds are brewing.
Pathos appears behind her.
FOXGLOVE
Let's go. I've got to go and see a Panda about a loan.
The two walk back across the dam as lightning flashes in the distance.
To be continued...
Friday, 13 March 2009
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5 comments:
GUARD 2
Hey! I was watching that! That Finesse, she's a real hotty!
GUARD 1
You think? I prefer the one who turns into animals.
GUARD 3
You would. Pervert.
I feel slightly dirty. And offended on Jester's behalf that only perverts would fancy her for shame, Jom.
But it was brilliant! I genuinely laughed out loud at so many points of this; probably most at Wraith's bit. Also the weirdest opening to anything ever belongs to this comic. I salute you, sir.
So when's the next bit, when's the next bit?! I want it now...
Brilliant! I'm delighted with the pigeon dialogue- although I can't quite believe you called one of them "Baps."
I wasn't offended by the above section quoted by Quoth, I thought it was funny. Although I suppose it is one step away from making a doggy-style joke.
I can't wait for the next section! You should write it soon.
Excellent stuff. Love the Eraser-proof sword, and it's nice to have a mayor introduced.
Very impressed with this - exciting opening!! I really liked the pigeon bit too, and the character-developmenty bits of course! I wonder if the weird autistic guy Amity's just met is one of Pathos's victims... (Great name for a super-villain, BTW! And exciting to have some more super-villains in Scribblers!). It's cool, it does feel like we've got a new voice writing now, because it doesn't read like anyone else's stories, which is...very exciting!!!
Oh, I took it that Guard 3 was an idiot for thinking only perverts would fancy Shift, rather than the narrator thinking that. Plus, cool new dynamic with letchy guards - that blatantly would happen if heroes were young men and women on the telly! :-)
Hmm. Apparently it's necessary for me to be very specific. That was a joke, people. To be funny, you know. Like you do with jokes. Not some sort of genuine criticism.
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